The ARRI Ultra Prime lens set, co-engineered by ARRI and ZEISS, is one of the most trusted and widely used cinema prime lens systems in professional film and video production. They are known for exceptional sharpness, consistent optical performance, and reliable mechanical build. As a result, Ultra Primes have been a standard choice on feature films, premium television, and commercials for decades. Whether you are shooting a commercial campaign, a documentary, or a narrative project, these lenses deliver clinical precision. Their clean, modern rendering is something cinematographers depend on.
Our ARRI Ultra Prime Rental Kit
At Two Stories Media, we offer the ARRI Ultra Prime 5-lens kit as part of our lens rentals program. This page covers everything you need to know about these lenses, including technical specs, production considerations, frequently asked questions, and how to rent them through our gear rentals program in Tampa.
ARRI Ultra Prime Product Overview
The ARRI Ultra Prime series represents the pinnacle of precision cinema optics from the ARRI and ZEISS partnership. These lenses are designed for productions that demand consistent, high-resolution imaging with minimal distortion and aberration. Ultra Primes deliver a clean, neutral rendering that faithfully reproduces what the camera sensor captures. Consequently, cinematographers and colorists have maximum flexibility in post-production.
Furthermore, the Ultra Prime range features ZEISS T* anti-reflection coatings for excellent flare control. Each lens in the set is also color-matched to ensure seamless intercutting between focal lengths. The result is a lens system that lets you focus on storytelling rather than optical inconsistencies.
Key Specifications
The ARRI Ultra Primes feature a fast T1.9 maximum aperture across the range with an aperture range of T1.9 to T22. They use a PL (Positive Lock) lens mount, compatible with professional cinema cameras from ARRI, RED, Sony, and others. In addition, the front diameter is a consistent 95mm across all focal lengths. This simplifies matte box and filter workflows on set. Individual lenses weigh approximately 2.6 pounds, and minimum focus distances range from approximately 10 inches to 3 feet depending on focal length.
Our 5-lens kit provides versatile focal length coverage for professional production, from wide-angle to medium telephoto. Moreover, the consistent mechanical design features matched focus and iris gear positions. As a result, lens changes are fast and predictable on set.
Why Cinematographers Choose ARRI Ultra Primes
The core reason professionals choose ARRI Ultra Primes is their combination of optical precision and production reliability. These lenses deliver sharp, high-contrast images with minimal distortion and chromatic aberration. Therefore, they are ideal for VFX-heavy work, product photography, and any project displayed on large screens.
The T1.9 maximum aperture is faster than many competing cinema prime sets. This gives you more flexibility in low-light conditions and greater control over depth of field. Additionally, the ZEISS T* coatings provide excellent flare resistance in backlit or mixed-light environments. Furthermore, the consistent color rendition across all focal lengths means your footage cuts together seamlessly.
Production Resources and Workflow Tips
Getting the most out of the ARRI Ultra Primes starts with understanding how they fit into your production workflow. Below are the key areas to consider when planning a shoot with these lenses.
For camera pairing, the PL mount makes these lenses natively compatible with ARRI Alexa Mini, ARRI Alexa 35, RED, Sony VENICE, and other professional cinema cameras. Moreover, the moderate weight of approximately 2.6 pounds per lens makes them well-balanced for Steadicam, gimbal, and handheld work.
For lighting, the T1.9 maximum aperture gives you excellent low-light capability and shallow depth of field control. Ultra Primes perform exceptionally well wide open, maintaining sharpness even at their fastest stop. This gives you creative flexibility without sacrificing image quality.
For focus control, the smooth, precise focus rings give focus pullers accurate, repeatable control. As a result, muscle memory transfers from lens to lens. This is invaluable during fast-paced production days.
When you are ready to move into post-production, footage shot on ARRI Ultra Primes grades cleanly and responds well to color correction. The neutral rendering gives colorists a clean canvas to work from. In addition, the high resolving power holds up well under cropping and reframing.
ARRI Ultra Prime FAQ
What aperture are the ARRI Ultra Primes?
The ARRI Ultra Primes have a maximum aperture of T1.9 with a range of T1.9 to T22. The fast T1.9 aperture provides excellent low-light performance. Additionally, optical performance is outstanding even wide open.
What lens mount do the ARRI Ultra Primes use?
These lenses use the PL (Positive Lock) mount, which is the standard for professional cinema cameras including ARRI, RED, Sony VENICE, and others. Furthermore, PL mount lenses can be adapted to Sony E-mount and Canon RF with appropriate adapters.
Who manufactures ARRI Ultra Primes?
ARRI Ultra Primes are co-engineered by ARRI and Carl Zeiss. Specifically, the optical design is by ZEISS with ARRI mechanical housing. They feature ZEISS T* anti-reflection coatings for superior flare control and contrast performance.
What focal lengths are included in the 5-lens kit?
Our ARRI Ultra Prime 5-lens rental kit is configured to provide versatile focal length coverage for most commercial, narrative, and documentary shooting scenarios. Contact our team for the exact focal lengths in our current rental package.
Rental and Production Use
Can I rent ARRI Ultra Primes in Tampa?
Yes. Two Stories Media offers the ARRI Ultra Prime 5-lens kit as part of our lens rental program in Tampa Bay. Each rental is prepped, tested, and packaged with the accessories you need for a production-ready setup. We also offer camera bodies, lighting packages, and full gear rental support to pair with the lenses.
What kind of productions are ARRI Ultra Primes best suited for?
ARRI Ultra Primes are used across virtually every category of professional production — commercials, branded content, feature films, television series, documentaries, music videos, and VFX-driven projects. Their precise, neutral rendering makes them especially well-suited for productions where technical image quality is a priority. At Two Stories Media, we use them regularly for video production across ad campaigns, brand films, and commercial projects.
How much does it cost to rent ARRI Ultra Primes?
Our ARRI Ultra Prime 5-lens kit rents for $375 per day. Multi-day and weekly rates are available. Contact our team with your project dates and requirements for a custom quote.
Rent ARRI Ultra Primes in Tampa
If you are planning a production that calls for precision cinema optics with outstanding optical performance, the ARRI Ultra Prime 5-lens kit is available through Two Stories Media’s rental program. We serve productions across Tampa, Clearwater, St. Petersburg, Sarasota, Orlando, and throughout Florida. Whether you need lenses for a one-day commercial shoot or a longer schedule, we can help. Every rental includes prepped, tested lenses with the accessories and support you need to hit the ground running. Simply contact our team with your project dates and gear requirements. From there, we will build the right package for your shoot.